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Cha-Cha-Cha |
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Past and Present Cha-Cha-Cha is one of the latest phenomena in the evolution of Afro Cuban music. Like Mambo in the beginning, Cha-Cha-Cha has only been a new type of music. Cha-Cha-Cha as a dance is an artificial creation, a variation of Rumba and Mambo. In 1953 the Cuban musician Enrique Jorrin, from Habana, created the slow-played Mambo-Cha-Cha-Cha and replaced the fast-played Mambo, that didn't become popular. The Palladium, on Broadway in New York City, is known as the birthplace of Cha-Cha-Cha. The term Cha-Cha-Cha can be seen as a rhythmic part of the music, as a kind of triplet, which is "spoken" clearly by the musicians and which is "interpreted" by the dancers with three little steps. Coming from Cuba Cha-Cha-Cha dance and music spread over North America, becoming all the rage in New York City from 1954. However, Europe was open-minded for Latin American music and dance innovations too. In Germany Cha-Cha-Cha first was presented as a ballroom dance at the ADTV congress by Gerd and Traute Hädrich in 1957. Because of its clear rhythm and its variety of cheerful figures, Cha-Cha-Cha was accepted shortly afterwards. Cha-Cha-Cha was included into the dance competitions as fourth Latin American dance in 1961. Today Cha-Cha-Cha is one of the most popular dances all over the world. 
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